We waited in line for 2 hours just to greet Otumfuo – Member of the Accra Richest Men’s Club

Nana, an individual who identifies as a member of the Accra Richest Men, has praised the leadership qualities of Asantehene Otumfuo Osei Tutu II, which have garnered respect from prominent individuals.

He mentioned that during a durbar hosted by the Ga Mantse, Nii Tackie Teiko Tsuru II, in honour of the Asantehene, affluent club members had to endure a lengthy wait before they could pay their respects to the King of the Ashanti Kingdom.

The member shared that the Accra Richest Men Club members stood in line for two hours out of deep respect for Otumfuo, a gesture they wouldn’t have extended to a president or anyone else.

‘Only Otumfuo could make the wealthiest men in Accra wait on the road for an hour and a half; not even the president could command such reverence. We lined up and waited for two hours just to greet Otumfuo. If it were the president, we would have left long ago. Only Otumfuo can inspire such respect,’ Nana stated.

Meanwhile, Accra was brought to a standstill on Sunday, June 9, 2024, as Asa
ntehene Otumfuo Osei Tutu II visited the Ga State at the invitation of Ga Mantse Nii Tackie Teiko Tsuru II.

Prominent personalities from across the country were present at the occasion to pay homage to the Asantehene for making a historic visit to the Ga state.

The owner of the Despite Media Group and Companies, Dr. Osei Kwame Despite, and his associate, Dr. Ernest Ofori Sarpong, were among the dignitaries who paid their respects to both the Asantehene and the Ga Mantse during the durbar.

Source: Ghana Web

Dr Bawumia gets groovy, boogies to Guru’s ‘Lapaz Toyota’ hit song during campaign tour

The Flagbearer of the NPP, Dr. Mahamudu Bawumia, showed off his dancing skills as he exhibited some beautiful, well-timed, and well-coordinated dance moves to Ghanaian musician, Guru’s hit song, “Lapaz Toyota,” during one of his campaign stops recently.

The song, which aligns with the vice president’s campaign message, became the center of attraction during this campaign stop when he stood up to dance to the song.

Dr. Mahamudu Bawumia’s message of being a driver’s mate for 7 years and pleading for an opportunity to be handed the steering wheel to become the main driver seems to have resonated across the country.

During his campaign tour in the Ashanti Region, the vice president was captured dancing with gestures of two hands controlling what looked like a steering wheel, while Guru performed, with supporters cheering him on in the background.

Dr. Bawumia is currently on a three-day campaign tour in the Ashanti Region.

The tour includes interactions with party members, door-to-door campaigning, and meetin
gs with organized groups and religious bodies.

Additionally, he will pay a courtesy call on the Asantehene, Otumfuo Osei Tutu II, at the Manhyia Palace.

Source: Ghana Web

We don’t need military deployment for 2024 polls – Bagbin warns

The Speaker of Parliament, Alban Bagbin, has issued a strong warning against the deployment of military personnel for the upcoming 2024 general elections.

In his opening remarks at the third meeting of the fourth session of the eighth parliament, the Speaker emphasized that the care of human life and happiness, and not their destruction, is the first and only object of good government.

The Speaker’s statement comes at a time when concerns are growing about the potential for military deployment in the upcoming elections.

The Speaker urged Parliamentarians to prioritize their work and ensure that the rights and freedoms of citizens are protected during the election period.

Speaker Bagbin also revealed his engagement with the Chairpersons of the Electoral Commission, Media Commission, Commission on Human Rights and Administrative Justice and the National Commission on Civic Education to discuss ways in which Parliament can collaborate with them to create a conducive environment for the elections.

He is expe
cted to engage other key stakeholders including the President, Council of State, National Security Council, flag bearers and national executives of political parties, security services, clergy and notable civil society leaders.

The Speaker’s move comes at a time when concerns are growing about the state of affairs in the country, particularly with regards to joblessness, homelessness and hopelessness among the youth.

The Speaker emphasized that Parliament must act together to prevent a journey to calamity or no return.

Source: Ghana Web

Dentaa Amoateng shares excitement as GRAMMY Africa is announced, details her contribution

Lady Dentaa Amoateng MBE, President and CEO of Grow Unite Build Africa (GUBA) and Senior Consultant for the Recording Academy (GRAMMYs), is thrilled about the introduction of GRAMMY Africa.

This new initiative by the Recording Academy aims to support music creators worldwide, focusing on the Middle East and Africa.

The Academy has partnered with Ministries of Culture and key stakeholders in these regions to expand its services. GRAMMY Africa will focus on providing platforms and advocacy for artists at all levels, offering enhanced training through GRAMMY GOS, an online learning platform with programs tailored for music creators in these regions. It will also celebrate the rich musical heritage and emerging scenes of Africa and the Middle East, fostering cross-cultural learning to strengthen the global music community.

On June 12, 2024, Dentaa expressed her excitement in a social media post, saying: “Finally, the news is out – GRAMMY Africa!”

“As a senior consultant to the President and CEO of the Recordi
ng Academy, I’ve been working behind the scenes for this historic moment. Over the past year and a half, I’ve had the privilege of working with the GRAMMYs team to make this vision a reality with my brothers. This journey included organizing meetings with heads of state and leaders to ensure a successful global expansion,” she added.

Dentaa expressed gratitude to Harvey Mason Jr., President/CEO of the Recording Academy, and other dignitaries for the opportunity and their accomplishments.

She said: “I am incredibly thankful to be part of this historic milestone in the global expansion of the Recording Academy. Thank you @harveymasonjr for giving me this once-in-a-lifetime opportunity!”

Source: Ghana Web

Mix Master Garzy honoured with ‘Audio Engineer of the Year’ at TGMA 2024

Record producer and sound engineer, Mix Master Garzy was honoured at the 25th Telecel Ghana Music Awards (TGMA) with the ‘Audio Engineer of the Year’ award.

The ceremony which came off at the Grand Arena in Accra on Saturday, June 1 saw Mix Master Garzy picking up the award for ‘Audio Engineer of the Year’.

Such an amazing honour for Garzy’s dedication, unique style of mixing and mastering and expertise in shaping sound engineering in Africa and beyond.

The award is strictly adjudged by the board to the sound engineer directly responsible for the recording, mixing and technical production of the song adjudged as the ‘Record of the Year’ which happened to be ‘Manodzi’ – track 17 off Stonebwoy’s ‘5th Dimension’ album.

‘Manodzi’ was creatively produced, mixed and mastered by Mix Master Garzy. With a career that spans over a decade in the music industry, Mix Master Garzy has positioned his brand with originality, quality and excellence.

Source: Ghana Web

Education Minister to present free SHS Bill to Parliament – Afenyo-Markin

The government is preparing to present the Free Senior High School (SHS) Bill to Parliament. This aims to regulate and ensure the sustainability of the Free SHS policy amidst growing concerns about potential cancellation by future administrations and the challenges currently facing the program.

Stakeholders in the educational sector, including EduWatch, have voiced their opinions on the policy. They suggested that parents who choose boarding facilities for their children should bear the associated costs. Additionally, EduWatch recommended that the policy be targeted at children from poor households, utilizing data from the Livelihood Empowerment Against Poverty (LEAP) program to identify eligible beneficiaries.

During a Leaders’ Media Briefing on Tuesday, June 11, 2024, the Majority Leader, Alexander Afenyo-Markin, provided further details on the bill. He emphasized that the legislation seeks to enhance the policy’s effectiveness and sustainability, aligning with the aspirations set forth in Chapter 5 of th
e Constitution.

“I’m also able to report that the Education Minister will present the Free SHS Bill to Parliament. Chapter 5 of the Constitution provides some aspirational indicators. Those are not justiciable, but once a policy of the government puts an aspiration as a message by the constitution into action, then to make it justiciable, you enact,” Mr. Afenyo-Markin explained.

He added, “In other words, there are provisions in the constitution that you cannot enforce; you cannot claim the right to those provisions. The fact that they are there does not mean that you can apply to the court to enforce those rights; they are aspirational.”

Source: Ghana Web

World Data Lab and the Mastercard Foundation announce launch of the Africa Youth Employment Clock

World Data Lab (WDL), in partnership with the Mastercard Foundation, is pleased to announce the Ghana launch of the Africa Youth Employment Clock on June 11, 2024.

According to WDL projections, Africa will experience its highest-ever youth population growth in this decade (2021-2030), with the population projected to increase by almost 100 million between 2023 and 2030. Against this backdrop, enabling young people in Africa to access dignified and fulfilling work is more important than ever and a collective, renewed impetus underpinned by credible data is needed to achieve this.

The Africa Youth Employment Clock will support and inform the journey to more inclusive African labour markets through cutting-edge data modeling and visualization. This labour market model monitors real-time job growth and forecasts employment trends in Africa, disaggregated by key variables such as employment status, age, gender, and sector up to 2030.

The first of its kind, the Clock is poised to become a go-to place for compreh
ensive youth employment data in Africa. It is intended to inform the strategic decision-making of policymakers, development actors, and other youth and labor ecosystem stakeholders.

The Clock draws from surveys and datasets made available by national statistics offices, the International Labour Organization (ILO), and the International Institute for Applied Systems Analysis (IIASA).”

The Clock is a user-friendly, publicly available digital tool that can be accessed at www.africayouthjobs.io. Country-level youth employment data is available for all 54 African states, while sub-national data is currently available for Ghana, Kenya, and Rwanda. Over time, access to sub-national data will expand to include Nigeria, Uganda, Senegal, and Ethiopia, countries where the Mastercard Foundation supports country-based programs.

The Clock’s data analytical model draws from surveys and datasets made available by national statistics offices and international sources. WDL’s methodology is peer-reviewed and enables consiste
nt, comparable data across countries.

‘The Africa Youth Employment Clock is a first of its kind providing consistent, comparable labour market statistics forecasting till 2030 for youth employment in Africa. We aim to ensure that decision-makers are equipped with the right information to effect change for the youngest workforce in the world. We are proud to be partnering with the Mastercard Foundation to shape a better understanding of youth employment.’ said Dr. Reshma Sheoraj, Vice President of Strategic Engagements, World Data Lab.

‘The Africa Youth Employment Clock aligns with our mission to enable 30 million young Africans to access dignified and fulfilling work by 2030. As we witness unparalleled growth in the continent’s youth population this decade, we recognize young women and men of Africa as the dynamic workforce and leaders capable of solving local and global problems. This tool will play a key role in delivering precise labour market insights to support our youth empowerment efforts,’ said Rica
Rwigamba, Country Director Ghana, Mastercard Foundation.

Source: Ghana Web

All you need to know about GRAMMY Africa as Recording Academy announces global expansion

The Recording Academy is expanding its efforts to support music creators globally with the introduction of GRAMMY Africa. With agreements in place with Ministries of Culture and key stakeholders across the Middle East and Africa, the Academy aims to enhance its presence and services in these growing music regions.

The Academy will explore several key initiatives to further its mission. First, it will champion music creators at all levels, providing them with a platform and advocacy. This commitment extends to empowering creators through enhanced training via GRAMMY GOS, the Academy’s online learning platform, which will offer programs and resources tailored to the needs of music creators in these regions.

Additionally, the Academy will produce original content that celebrates the rich musical heritage and emerging scenes of Africa and the Middle East. Furthermore, it will enhance support for existing members, fostering cross-cultural learning that benefits all music creators and strengthens the Academy’s gl
obal community.

Below is a publication by finance.yahoo.com on June 11, 2024, detailing what Grammy Africa is about.

The Recording Academy, the organization behind the GRAMMY Awards, is embarking on a path to extend its efforts to support music creators on a global scale. The Academy has agreements with Ministries of Cultures and key stakeholders across the Middle East and Africa to collaborate on a framework to bolster the Academy’s presence and services in these rapidly growing music regions.

“This is exciting because music is one of humanity’s greatest natural resources,” said Harvey Mason jr., CEO of the Recording Academy. “It is critical that the people who dedicate themselves to creating music have support, resources and opportunities, no matter where they are from.”

For the past two years, the Academy’s leaders have traveled throughout these regions, participated in listening sessions, received high-level briefings, tours, demonstrations, and obtained insight directly from both the governmental min
istries and music creators driving innovation in these markets.

The Academy is working with the Ministries of Culture in Kenya, Kingdom of Saudi Arabia (KSA) and Nigeria, the Department of Culture and Tourism in Abu Dhabi for the United Arab Emirates (UAE), the Rwanda Development Board (RDB), and the Ministry of Sports, Arts and Culture in South Africa.

Additionally, MOUs have been signed with Ghana and the Ivory Coast. Through these collaborations, and in alignment with our mission, the Academy looks to explore several key initiatives, including:

– Championing music creators at all levels, providing them with a platform and advocacy.

– Empowering creators through enhanced training. Through its online learning platform, GRAMMY GOS, the Academy will look to provide educational programs and resources specifically tailored to the needs of music creators in these regions.

– Producing original content that celebrates the rich musical heritage and dynamic emerging scenes of Africa and the Middle East.

– Enhan
cing support for existing members. Cross-cultural learnings will benefit all music creators, and a presence in these rapidly growing music regions would provide numerous benefits to the Recording Academy’s current and future members.

– Advocating for strong Intellectual Property (IP) legislation and protections for music creators.

– Fueling the music economy by collaborating with partners to develop and strengthen the creative economy in Africa and the Middle East.

– As a cornerstone of this initiative, the Academy will publish a series of reports, highlighting the Academy’s research and insights into these music markets.

“The Recording Academy is dedicated to supporting music creators around the world,” said Panos A. Panay, Recording Academy President. “Our expansion efforts into these fast-growing regions reflect our commitment to fostering a truly global music community, where creators at every stage of their careers and from every corner of the world have the resources and support they need to thrive.

This exploration into the Middle East and Africa is only the first phase of plans to support music creators abroad and comes the same year the Academy celebrates the 25th anniversary of the Latin GRAMMY Awards®, and months after Seville hosted the Latin GRAMMY Awards, the first GRAMMY Awards show to be held overseas. Also, last year, the Recording Academy partnered with the U.S. State Department on an initiative to promote peace through music.

What some dignitaries have said:

Kenya:

Hon. Ababu Namwamba, EGH: “Creative Economy is among the key cogs in the wheel driving the Bottom-up Economic Transformation Agenda (BETA) in Kenya. The country has placed a premium on music, film, theatre, content creation, fashion, pageantry, and other creative industries as a pivot for job creation, revenue generation and economic growth for sustainable livelihoods.

“With a predominantly youthful population that is well educated, innovative and passionate in stretching the frontiers of imagination, Kenya considers the cr
eative sector as a fitting ignition for lighting and unleashing the full potential of this enormous youth bulge.

“Furthermore, creatives offer a formidable platform for building cultural, social, economic, and political ties across the East African Community, the African Continent and indeed the entire African Diaspora globally. And so, it should be no surprise that Kenya is delighted to be among the four champions of this effort, alongside our sister nations of Rwanda, Nigeria and South Africa.

“This is a historic opportunity to hoist high and celebrate Africanacity through artistic and cultural expression, while fostering innovation, creativity, fraternity, and solidarity for African peoples in Africa and beyond. Kenya is in KABISA! (absolutely). Welcome to magical Kenya, the land of Hakuna Matata!”

United Arab Emirates:

H.E. Mohamed Khalifa Al Mubarak, Chairman of the Department of Culture and Tourism – Abu Dhabi: “Abu Dhabi’s music scene is soaring, driven by the vibrancy of our youthful population, a
nd strengthened by governmental commitment to infrastructure development, exemplified by existing and upcoming venues across the Emirate of Abu Dhabi. Additionally, investments in educational institutions such as Berklee Abu Dhabi and Bait al Oud Abu Dhabi, underscore our dedication to fostering local talent by providing them with comprehensive music theory education.

“As we embrace diverse genres emerging from our rich cultural heritage, we see a dynamic wave of creators and talents shaping our musical landscape. Today, we stand ready to collaborate with the Recording Academy to amplify our artists’ voices, celebrate our music, and propel MENA’s music industry to new heights.”

Kingdom of Saudi Arabia:

Paul Pacifico, CEO, The Music Commission: “We are excited to become a part of the global GRAMMYs family, working to unite a growing range of music and talent from around the world as we strive to develop an inclusive and sustainable industry which fosters a rich tapestry of music and talent from diverse corn
ers of the globe.

“We eagerly anticipate the benefits we know this partnership will bring to our music community in the Kingdom of Saudi Arabia, and the opportunities it will deliver for Saudi music to take its place on the global stage and contribute to a more globally representative and vibrant music industry.”

Rwanda:

Francis Gatare, CEO, Rwanda Development Board: “Rwanda embraces this vision of connecting the continent’s creative minds, marking a pivotal moment in our history where our culture and spirit are celebrated and shared with the world. By fostering a unified creative platform, we not only celebrate our creativity but also forge a shared path toward economic and social prosperity.

“Rwanda is proud to champion this significant milestone. By promoting our diverse talents, we enrich the global creative community and affirm our place as leaders in cultural expression. This initiative underscores Rwanda’s dedication to a vibrant and dynamic cultural landscape, positioning us at the heart of Africa
‘s creative renaissance.”

South Africa:

Tshepo Mahloele, Chairman of Arena Holdings: “It is an exciting era for African and particularly South African music to finally work with the Recording Academy in ways that will provide the opportunity for African music to be recognized and celebrated on the global stage. We are proud to have advanced this exciting partnership.”

Afrexim Bank:

President Dr. Benedict Okey Oramah, Afrexim Bank: “With Afreximbank’s support for Africa’s creative industries and endorsement of the Recording Academy’s expansion, we recognize the immense potential this sector has to boost GDP and create employment for the youth. We extend our heartfelt congratulations and gratitude to the Academy’s founding nations and the leadership of the Recording Academy for this remarkable opportunity to blend 65 years of invaluable experience with our continent’s vibrant music and creative ecosystem.”

Recording Academy Members:

John Legend: “I’m excited to see the Recording Academy taking these meani
ngful steps to globalize our mission and reach. Music knows no borders. It’s global and transcends cultural, political and language barriers. I’m so glad that the Recording Academy, the leading organization serving music creators, is evolving to be a more global organization.”

Angelique Kidjo: “The Recording Academy is accelerating its efforts to serve music people everywhere, and Africa is ready with open arms. We are a continent of music and young, passionate music makers. I’m proud to see the Academy forming partnerships with Nigeria, Kenya, Rwanda, South Africa, and no doubt, more to come!”

Kat Graham: “As a Goodwill Ambassador for the UN Refugee Agency, I’ve seen firsthand how interconnected our world is. I applaud the Recording Academy for expanding its activities to Africa and the Middle East, two of the fastest-growing regions. This visionary move will amplify the role music can play as a force for good in the world while showcasing diverse voices and fostering cultural unity on a global scale.”

Da
vido: “As an African musician, I’m excited about the Recording Academy’s expansion into Africa and the Middle East. It acknowledges our vibrant talent and the global influence of African music. This initiative offers a platform for creators, elevating our cultural expressions and uniting us through music.”

About the Recording Academy

The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards – music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.

Source: Ghana Web